|
Sign In to gain access to subscriptions and/or personal tools.
|
Economic Development Quarterly, Vol. 20, No. 4,
330-350 (2006)
DOI: 10.1177/0891242406292708
New York as a Global Creative Hub: A Competitive Analysis of Four Theories on World Cities
Elizabeth Currid
University of Southern California
How New York City has maintained its position atop the global urban hierarchy as a leading player in the world and national economy is part of the broader discussion on why cities grow and why some remain at the top of the heap decade on decade. There are several dominant theories explaining New York Citys success, most notably those that argue the city is a center of command and control or managerial elite and is a global hub of finance and its related services. Yet an emerging framework explaining New York Citys dominant position argues for the importance of global creative centers. From an occupational analysis of these competing hypotheses emerges a picture of New York City as a great bastion of creativity and cultural and artistic production. These results provide a unique perspective on New York Citys position in the world hierarchy of cities and new opportunities for economic development strategies.
Key Words: creativity New York City global cities world cities economic development
References
- Beaverstock, J. V., Smith, R. G., & Taylor, P. J. (1999). A roster of world cities. Cities, 16 (6), 445-458.[CrossRef]
- Bell, D. (1973). The coming of post-industrial society: A venture in social forecasting. New York: Basic Books.
- Castells, M. (2000). The rise of the network society (2nd ed.). New York: Blackwell.
- Castells, M., & Hall, P. (1994). Technopoles of the world: The making of 21st century industrial complexes. London: Routledge.
- Caves, R. (2000). Creative industries: Contracts between art and commerce. Cambridge, MA: Harvard University Press.
- Center for an Urban Future. (2001). Payoffs for layoffs: Designed to save jobs, New York Citys corporate retention deals often result in job cuts. New York: Author.
- Center for an Urban Future. (2002). The creative engine: How arts and culture is fueling economic growth in New York City neighborhoods. New York: Author.
- Center for an Urban Future. (2003). Engine failure. New York: Author.
- Davis, M. (1996). Fortress LA. In R. LeGates & F. Scout (Eds.), The city reader (pp. 193-198). New York: Routledge.
- Florida, R. (2002). The rise of the creative class: And how its transforming work, leisure, community and everyday life. New York: Basic Books.
- Friedmann, J. (1995). The world city hypothesis. In P. L. Knox & P. J. Taylor (Eds.), World cities in a world system (pp. 317-331). Cambridge, UK: Cambridge University Press.
- Glaeser, E. L. (2005). Urban colossus: Why is New York Americas largest city? (Discussion paper No. 2073). Boston: Harvard Institute of Economic Research.
- Jacobs, J. (1961). The death and life of great American cites. New York: Random House.
- Jacobs, J. (1969). The economy of cities. New York: Random House.
- Knox, P. L., & Taylor, P. J. (Eds.). (1995). World cities in a world system. Cambridge, UK: Cambridge University Press.
- Lucas, R., Jr. (1988). On the mechanics of economic development. Journal of Monetary Economics, 22(1), 3-42.
- Markusen, A. (2004a). The distinctive city: Evidence from artists and occupational profiles. Minneapolis: University of Minnesota, Humphrey Institute of Public Affairs, Project on Regional and Industrial Economics.
- Markusen, A. (2004b). Longer view: Targeting occupations in regional and community economic development. Journal of the American Planning Association, 70(3), 253-268.
- Markusen, A., & King, D. (2003). The artistic dividend: The arts hidden contributions to regional development. Minneapolis: University of Minnesota, Humphrey Institute of Public Affairs, Project on Regional and Industrial Economics.
- Markusen, A., Schrock, G., & Cameron, M. (2004). The artistic dividend revisited. Minneapolis: University of Minnesota: Humphrey Institute of Public Affairs.
- Piore, M. J., & Sabel, C. F. (1984). The second industrial divide: Possibilities for prosperity. New York: Basic Books.
- Rantisi, N. (2002a). The competitive foundations of localized learning and innovation: The case of womens garment production in New York City. Economic Geography, 78, 441-462.
- Rantisi, N. (2002b). The local innovation system as a source of variety: Openness and adaptability in New York Citys garment district. Regional Studies, 36 (6), 587-602.[CrossRef]
- Rantisi, N. (2004). The ascendance of New York fashion. International Journal of Urban and Regional Research, 28(1), 86-107.[CrossRef]
- Sassen, S. (1991). The global city: New York, London, Tokyo. Princeton, NJ: Princeton University Press.
- Sassen, S. (2000). Cities in a world economy. Thousand Oaks, CA: Pine Forge Press.
- Saxenian, A. (1994). Regional advantage: Culture and competition in Silicon Valley and Route 128. Cambridge, MA: Harvard University Press.
- Schumpeter, J. (1942). Capitalism, socialism and democracy. New York: Harper & Brothers.
- Scott, A. (1993). Technopolis. Berkeley: University of California Press.
- Scott, A. (2000). The cultural economy of cities. London: Sage.
- Scott. A. (2005). On Hollywood: The place, the industry. Princeton, NJ: Princeton University Press.
- Shell take Manhattan. (2004, October). Elle Magazine, 230-230.
- Soja, E. (1989). Postmodern geographies: The reassertion of space in critical social theory. London: Verso Books.
- Solow, R. M. (1956). A contribution to the theory of economic growth. Quarterly Journal of Economics, 70(1), 65-94.[CrossRef][ISI]
- Thompson, W. R. (1965). A preface to urban economics. Baltimore: Johns Hopkins Press.
- U.S. Bureau of Labor Statistics. (2000). Occupational employment statistics. Washington, DC: Author.
- U.S. Bureau of Labor Statistics. (2004). Occupational employment statistics. Washington, DC: Author.

CiteULike Connotea Del.icio.us Digg Reddit Technorati What's this?
|